SYNOPSIS
The third installment of Sakai Ko and Hamaguchi Ryusuke¡¯s Tohoku trilogy explores how the experiences of the Great East Japan Earthquake can be passed on to future generations. Continuing ideas introduced in The Sound of Waves and Voices from the Waves, the film turns to the region¡¯s folk storytelling tradition. At Mount Kurikoma in Miyagi Prefecture, three storytellers share fantastical tales as folklorist Ono Kazuko guides their conversations.
REVIEW
If the previous three documentaries rebuilt a territory of continuing life by passing through memories of the Great East Japan Earthquake in survivors¡¯ testimonies, Storytellers turns to the oral tradition of Tohoku folktales to show how stories themselves create community. Seventy-eight-year-old Ono Kazuko has spent some forty years collecting tales handed down in villages across the region. She sits with three storytellers and listens as they recount them. Now elderly, these narrators first heard the stories from their parents or grandparents; today, those tales pass through their own voices to another generation.
A folk tradition—and a community of storytelling—can survive only when a listener eventually becomes a speaker. This structure closely echoes the method Hamaguchi and Sakai developed across the preceding films. In this sense, the Tohoku Trilogy borrows the ancient form of oral transmission to reveal the potential destination of the stories left by survivors of the disaster. As one storyteller, Sasaki Ken, says, if someone is there in front of us to listen, we are not alone. It is a message of hope that resonates equally with the people of Tohoku.
In the final scene, listeners gather around the storytellers. Their animated faces, delighted by the tales, somehow resemble the steady expressions of survivors in the earlier films as they spoke of the future still to come.
CONTACT
silent voice | Kumi Aizawa | azw@silentvoice.jp