SYNOPSIS
A companion piece to Voices from the Waves: Kesennuma, this film forms the second chapter of Sakai Ko and Hamaguchi Ryusuke's Tohoku trilogy. Inspired by the region's folk storytelling tradition, it records conversations between people closely connected by the Great East Japan Earthquake. One year after the disaster in Shinchimachi, Fukushima, survivors struggle with guilt over outliving lost homes and loved ones. The filmmakers seek to preserve their voices for generations a century from now.
REVIEW
The Tohoku Trilogy also takes the form of a road movie, recording journeys by car along the coastline to meet interviewees and inviting us to see anew the landscapes of disaster placed at the beginning and end of each film. Released in 2013, Voices from the Waves: Shinchimachi and Voices from the Waves: Kesennuma gather interviews that could not be included in the earlier The Sound of Waves, dividing them by region. Shinchimachi, located at the northern edge of Fukushima Prefecture, was one of the areas most severely affected by the tsunami.
Family members, coworkers, and friends sit facing one another, recalling March 11 and telling their stories to the person opposite them. Though all experienced the same catastrophe, the memories that remain are strikingly different. Their accounts reveal forms of life too diverse to be contained within the single category of ¡°disaster victims.¡±
The final interview is especially moving. Light enters a previously darkened room, and a woman who has been recalling the disaster speaks of her gratitude for ordinary life and her determination to face the future. Across from her, Hamaguchi listens without letting a word escape. Perhaps because of this, the closing sequence—holding both the landscape beyond the car window and another reflected in the rearview mirror within a single frame—seems to reveal a glimpse of hope.
CONTACT
silent voice | Kumi Aizawa | azw@silentvoice.jp