SYNOPSIS
Told through playful oral storytelling and inventive animation, ENDLESS COOKIE follows the coming-of-age of half-brothers Seth and Peter, who come from different backgrounds—one white, one Indigenous. As the brothers share their memories into a microphone, their lively extended family—including nine children and ten dogs—chimes in, expanding the narrative in unexpected ways. Humorous and surreal, the film also reflects on resistance to colonialism, identity, and race within Canada’s First Nations communities.
REVIEW
Endless Cookie is a singular animated documentary built from conversations between filmmaker Seth and his half-brother, Peter. While Seth lives and works in Toronto, Peter, whose mother is Indigenous, makes his home in a northern Manitoba community—trapping animals, raising children and dogs, and sharing life with friends and neighbors.
The project began nearly a decade ago, when Seth started recording Peter’s stories. Over the years, those conversations were meticulously transformed into animation, yielding a film alive with inventive visuals, wry humor, and unforgettable characters. Set against the backdrop of their contrasting lives, Peter’s tales brim with surreal, sweet, and absurd nuances. His calm, steady narration merges effortlessly with Seth’s intricate animation, creating a dialogue between sound and image that is both rich and rhythmic.
Though wide-ranging, these stories always return to the gravitational pull of family. The result is a beautifully rendered portrait—unflinching in its candor about the complexities of a multicultural household, and sharply attuned to its unique rhythms. More than the pleasure of a well-told story, Endless Cookie offers a rare and respectful glimpse into lives lived differently, finding humor, tenderness, and deep truth in the enduring bonds of kinship.
DIRECTOR'S NOTE
Endless Cookie is based on true stories told by Peter, a mixed race (Indigenous and white) resident of the Shamattawa First Nation in Manitoba, with animations by Seth, a white Toronto-based artist, director, and half-brother to Peter through their shared white father. At the heart of the film is the relationship with each other and to the family as a whole. Wanting to engage with the complexity of that relationship by speaking about race and identity in a frank way that is both personal and political, Peter’s stories explore life in Shamattawa in its comical and fraught aspects.
CONTACT
MAGNIFY
pliebling@magpictures.com
