Sullivan's Banks showcases a collection of buildings designed by Louis H. Sullivan, the American modernist architect renowned for his "form follows function" philosophy. While Sullivan, a leading figure of the Chicago School, is best known for his work on the Chicago Auditorium, Heinz Emigholz shifts focus to the banks in the Midwest that Sullivan designed later in his career. These "temples of capitalism" are primarily constructed of red brick, featuring delicate ornamentation that gracefully bridges the gap between the buildings' heavy, solid structures. The film captures both interiors and exteriors from a variety of discontinuous angles, employing jump cuts that emphasize the ornamental details, which serve as visual anchors for the viewer. As it roams freely through Sullivan's architectural world, the film maintains a deep respect and homage to the core principles of his practice. Sullivan's Banks stands as a fitting addition to the "Architecture as Autobiography" series, further exploring the intersection of personal vision and architectural innovation.